Playback you can trust
Fast, responsive transport with no lag between the decision and the sound. The controls are large, obvious and always in the same place.
B21 Stage Time
Built by working musicians for the moment the lights go down and there is no second chance. Backing tracks that fire on cue, your own sampled sounds under your hands, a place to catch the song in your head, and the bookings, contracts and invoices that pay for all of it. One app, no internet required.
The part that has to work every single time. It plays your tracks, on cue, without ever making you hunt through a menu with a room watching you.
Fast, responsive transport with no lag between the decision and the sound. The controls are large, obvious and always in the same place.
A high-contrast interface that survives a dark venue and a bright afternoon stage alike, with light and dark modes that follow the room rather than fight it.
See the shape of the track before you commit to it, with a scrubber, elapsed and remaining time, and left and right level meters running live.
Shape the track to the room with named starting points, then fine-tune each band. Every PA is different and most of them are a surprise.
Build the set list, reorder it, and know what is coming next. Track details, artwork and tempo are there at a glance so you can count the band in.
No adverts, and nothing that interrupts you mid-set to sell you something. It was built for one band's own gigs, which is why it behaves itself on stage.
The player is where it started. The rest of the app is the rest of the job: your own sounds under your hands, somewhere to catch a song the moment it arrives, and the paperwork nobody forms a band to do.
Your own sounds, played live from any MIDI controller.
A songwriting scratchpad that runs entirely on the phone.
The part nobody forms a band to do.
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Venues are basements. Festivals have no bars of signal and a queue of thirty thousand people on the same mast. An app that needs the internet to play your own tracks is not a stage tool, so this one does not.
Playback, the workstation and your set list all run from the device. Aeroplane mode is a perfectly good stage setting.
There is no login, no profile and no cloud service behind it. You install it and it works.
Your tracks, sounds, sketches and bookings live on your device. Back the lot up to a single file in Files or iCloud Drive whenever you want it somewhere safe.
The full detail is in the privacy policy, which is published and kept up to date on the band's own site.
Download it and run your set for nothing, for as long as you like. Everything beyond the stage is Stage Pro, which is one subscription at one price. Try it for seven days before you pay a penny.
£0
The stage app, in full. No account, no adverts, no time limit.
£6.99a month
Everything in Free, plus the whole working day. Cancel any time.
Prices in pounds sterling and inclusive of VAT where it applies. The subscription renews monthly until cancelled, and is managed in your Apple Account settings like any other App Store subscription. Cancel at least a day before the trial ends and you are not charged.
| Platform | iPhone and iPad, running iOS 26 or later. |
|---|---|
| Price | Free to download, and free to run your set for as long as you like. Stage Pro is £6.99 a month with the first seven days free, and you can cancel any time. |
| In Stage Pro | The sampled keyboard workstation, the songwriting scratchpad, and the bookings, contracts and invoices behind the band. |
| Works offline | Everything runs on the device. No account, no login and no cloud service behind it. |
| Built for | Working musicians, solo or in a band, running backing tracks and their own instrument sounds live. |
| Made with | B21, the British bhangra group, who use it at their own shows. Built in the UK by d4. |
| Support | Support pages on b21online.com |
| Privacy | Privacy policy on b21online.com |